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For example, I'm extremely biased towards getting an EX 111 as my next flute. 'sigh'Ī bias is only an embarrassment when it is not fully justified. Having said that, the Gem just isn't as easy for the really quick stuff, so might have to upgrade sooner than I thought. And while not as light to play as the Yam's, the Gemeinhardts have a resonance the Yam's just never had.

A bias is only an embarrassment when it is not fully justified. They are good for me due to breath economy, especially the F100ASII. I cut my teeth on a Yamaha Allegro 371 and went backwards to find the 221 and F100ASII! Love them ALL. What I didn't realize was that some of my problems playing were not me, they were because of the flute. I bought the rummage-sale flute, got some Basic Elements books and proceeded to teach myself. I played the clarinet in school, but I was always a frustrated flute player. I know it's not worth anything except for a wall decoration or flute anatomy study, but it was the beginning of an enjoyable hobby for someone who is long out of school.īrette wrote:About 5 years ago, I found an Artley 0-18 at a rummage sale for $40. But the old Artley (very common when I was in school) at least got me started. I know there's no substitute for a good teacher, but I have made considerable progress on my own with the help of books (Flute for Dummies) and Jennifer Cluff's web site. After doing some research, I bought a new Yamaha from the 300 series. The Artley, heavy and clunky and probably leaking like a sieve, just made learning to play harder. Thanks to so much good information on the Internet, I've learned a lot since.

About 5 years ago, I found an Artley 0-18 at a rummage sale for $40.

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